Interactive Projects

Wiltshire: Geometry of the Field is a two-player abstract strategy game set in the heart of crop circle country. The board is a hexagonal wheat field of thirty-seven spaces; the pieces are thirty-six tiles drawn in the six recurring themes of the phenomenon: Spiral, Fractal, Triangular, Linear, Crescent, and Optical. Complete a Ley Line or a Crop Formation, one single-theme, one dual-theme, and one triple-theme tile sharing a common form, and the field is yours.

The twist is the hand-off. Every tile on the board was chosen by the other player, which makes every turn a negotiation between opportunity and threat. Give away too little and you starve your own plans. Give away too much and you may hand your opponent the exact tile that completes their pattern. Play against the AI at three difficulties or with a friend, with the Harvester blocking the center or the UFO wild in the middle of it all.

The game asks for no belief about what makes the formations. It only asks you to look. Patterns you fail to notice might be your downfall: attention is the rule, not the reward.

Thirty-Two Winds is not a personality test and not a horoscope. It is an instrument for orientation: a four-dimensional cartography, shown as a rotating three-dimensional projection, with thirty-two tesseract edges around one unmoving center. It does not tell you who you are. It shows you where you stand, and lets you move.

The frame is forced, pure geometry you could derive again from first principles. What rests upon it is a matter of lenses. Six great systems: the I Ching, the sixteen MBTI types, the thirty-three archetypes, and six alchemical phases, a dual cosmography/cosmology of Kabbalah and physics, and the author's 4D philosophical system. Each find a natural seat on the same figure, as though the geometry had been quietly underlying them all along.

One geometry, six overlays, three modes of exploration, all in the browser, nothing to install, no account, no email, nothing tracked, privacy respected.

The schools are quieter. The apps are full of people who never meet. The wanting gets quieter every year in the neighborhoods where the options are loudest. No one designed the void. But someone has to walk into it.

That someone is you.

Archfall drops you into a city mid-collapse — not fire and rubble, but the slow architectural kind, where the load-bearing stones of ordinary human life have been removed so gradually that no one noticed until the structure began to settle. Your job is not to defeat anyone. Your job is to see clearly, and then decide what, if anything, you are willing to build.

Seven stones. Six endings. Fourteen characters. One Citadel that will be a precise reflection of every choice you made to get there.

A branching, illustrated journey of 72-85 nodes, depending on path chosen.